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Art Study Center Seminar: Wolf Vostell and His Intermedia Practice of Dé-coll/age

By Harvard Art Museums

Kyle Stephan surveys new acquisitions by German artist Wolf Vostell, one of the first artists to incorporate television into artworks.

Screenprint of a blurred face on a malfunctioning television screen.

.: Fri, October 28 2022 11पूर्वान्ह – 12pm.

Please arrive 15 minutes before the start of the program to allow sufficient time to sign in at the museum staff entrance, and be prepared to present a photo ID.

Ages: Adults.

Contact

Harvard Art Museums
(617) 495-9400

Registration required

  • Sign-up is ongoing

https://secure.touchnet.net/C20832_ustores/web/store_cat.jsp?STOREID=99&CATID=2…

Free admission, but registration is required. Registration for this seminar will open on Tuesday, October 18, 2022 at this link, and participants will be admitted on a first-come, first-served basis.

Free!

स्थान

  • In-person only.

Harvard Art Museums
32 Quincy
Cambridge, MA 02138
संयुक्त राज्य

Neighborhood 9

The staff entrance is located next to the museums’ loading dock on Broadway.

Lockers are available on the Lower Level, Level 1, and Level 4 to check bags, coats, umbrellas, and any food or drink.

Wheelchair accessible.

The Harvard Art Museums are committed to accessibility for all visitors. For anyone requiring accessibility accommodations for our programs, please contact us at am_register@harvard.edu at least 48 hours in advance.

https://harvardartmuseums.org/visit/accessibility/museum-access

Additional information

The Harvard Art Museums recently acquired 72 artworks, including prints, multiples, audiovisual works, sculptures, and performance ephemera, by German artist Wolf Vostell (1932–1998). A founder of the international artist group Fluxus and a pioneer of the art of Happenings in the 1960s, Vostell was one of the first artists to incorporate television into artworks. In this seminar, curatorial fellow Kyle Stephan will closely examine a selection of these works, focusing on the artist’s multifaceted concept of “dé-coll/age,” which defined his provocative intermedia art practice.

Last updated अक्टोबर 19, 2022.

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